really fucking rusty
"Memphis" William Eggleston 1970
"Yet the best argument for the tricycle’s visual interest isn’t its place in photographic history or its Southern prov-enance or its affinity with literary “dirty realism.” It’s the photograph itself."
You may ask yourself-where does that high way go?
the more things change the more they same as it ever was
maybe that was Eggleston's tricycle that I pulled out of the donation container, took a moment to appreciate, took a photo, then tossed into the scrap metal container.
the trike is in a pile of scrap metal. the photo sold at auction for $578,500